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Debut films of these 5 bollywood onscreen couples became box office blockbusters

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These Bollywood performing artists made colossal sprinkles in cine-hovers with their shaking debuts as onscreen couples!


1. Rishi Kapoor and Dimple Kapadia in Bobby – 1973

Raj Kapoor dispatched his most youthful child, Rishi, as the main man, in the 1973 romantic tale, Bobby. He presented a crisp face close by his child, in the film – Dimple Kapadia. The performer's new and flawless looks enchanted the motion picture goes, thus did the new blending of Rishi and Dimple. The two looked cute on the wide screen together. The film stays to be their vocations' greatest hit ever! While Dimple's excellence enchanted the then whiz, Rajesh Khanna, and he wedded her even before the film discharged, Rishi's beguiling identity landed him the tag of the chocolate legend, which he lived with all through his young days in movies. In spite of the fact that Kapoor and Kapadia met up again in Saagar, Bobby's prosperity was supreme!


2. Kumar Gaurav and Vijayta Pandit in Love Story – 1981

This remarkable jodi of the then newcomers, Kumar Gaurav and Vijayta Pandit, warmed the cockles of our souls with their delightful harmony. Their guiltlessness and power won our hearts, undoubtedly! Their greatest blockbuster ever, Love Story is still associated with their charming science.


3. Sunny Deol and Amrita Singh in Betaab – 1983

Movie producer Rahul Rawail's Betaab was likewise a romantic tale that presented Sunny Deol and Amrita Singh in the business. Youthful and crisp, the team took the silver screen aflame with their shaking, crackling science. A normal adoration adventure of a rich young lady and a poor kid, Betaab was a runway hit once upon a time.


4. Rahul Roy and Anu Aggarwal in Aashiqui– 1990

The musical sentiment from the Bhatt industrial facility came and agreed! The film's music, every single melody, took the country by contend tempest, and still sounds as crisp and sentimental even today as it did decades prior! Aashiqui was the romantic tale of two youthful sweethearts, played by Rahul Roy and Anu Aggarwal. They both opened their Bollywood accounts with the sentiment adventure. The film was a blockbuster, transforming the two into national sensations overnight. Rahul and Anu couldn't rehash the history however. Their different undertakings neglected to do magic on us.


5. Hrithik Roshan and Ameesha Patel in Kaho Na.. Pyaar Hai– 2000


What could have been Kareena Kapoor's huge starting in Bollywood, wound up Ameesha Patel's chance! The on-screen character was combined inverse Hrithik Roshan, in movie producer Rakesh Roshan's sentiment show, Kaho Na.. Pyaar Hai, after Bebo left it. Anyway, Hrithik and Ameesha shook the 70 MM screen with their great introduction in the Hindi film industry. The film set the trade registers jingling out a gigantic way, and went ahead to make a few records and drink up numerous honors. It even made it to the Limca Book Of Records for getting most extreme number of recompenses ever!


posted May 12, 2016 by Renita

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They say you win a few and you lose a few. The year 2015 saw a mess of movies which held a great deal of guarantee and made a ton of buzz before its discharge yet failed out in the blink of an eye as they could scarcely hold the gathering of people's consideration. A few movies were over-built up and advertised forcefully yet turned duds because of low on substance. A few them could simply earn back the original investment however will go down as soggy squibs in the last investigation. Chiefs like R. Balki and Dibakar Banerjee who were relied upon to think of victors disillusioned their fans. We take a gander at ten such movies (overall accumulations) which were anxiously anticipated before discharge yet didn't go all the way leaving viewers frustrated. 


Shaandaar (Budget – 70 Crore, Grossed – 51 Crore) 

Vikas Bahl's directorial after the much fruitful 'Ruler', "Shaandaar" discharged amid Dushehra on 22nd October. Touted to be one of the costly movies of the year it just declined to take off. In spite of the fact that it got the matching of Shahid Kapoor and Alia Bhatt surprisingly on screen, the science simply didn't work leaving the gatherings of people exposed.


Tevar (Budget – 85 Crore, Grossed – 56 Crore) 

The principal huge spending arrival of 2015 which opened on ninth January began off promisingly however couldn't maintain its run. A change of the Telugu hit 'Okkadu', Arjun Kapoor was combined with Sonakshi interestingly yet their science turned frosty. The main redeeming quality was Manoj Bajpai who put in a splendid execution as the enemy. 


Shamitabh (Budget – 25 Crore, Grossed – 22.46 Crore) 

R. Balki's Amitabh and Dhanush starrer which discharged on the sixth February was a non-starter from the very beginning. The thought was novel yet the screenplay went no place. Much was normal from the executive who gave us 'Cheeni Kum' and "Paa" yet passed up a major opportunity this time. 


Roy (Budget – 40 Crore, Grossed – 44.52 Crore) 

Discharged on thirteenth February, executive Vikramjit's anticipation show "Roy" pretty much made back the initial investment in the cinematic world. The film however had star esteem as Arjun Rampal and Ranbir Kapoor yet it exited viewers befuddled as they were not able choose on the off chance that it was a romantic tale or a tension show. The music fared superior to the film. 


Detective Byomkesh Bakshy (Budget – 35 Crore, Grossed – 36 Crore) 

A Yash Raj generation coordinated by recompense winning chief Dibakar Banerjee was discharged on third April. A considerable measure of consideration was given to its creation esteem than its substance. The groups of onlookers couldn't associate with Bengal's most loved imaginary criminologist. In any case a valiant exertion gone vain. 


Mr. X (Budget – 35 Crore, Grossed – 25 Crore) 

Vishesh Films 'Mr. X' had its most loved serial kisser, Emraan Hashmi assuming the title part of Mr. Undetectable which discharged on the seventeenth April. The film had just the same old thing new to offer aside from its embellishments and 3D vision. Another failure from the "Bhatt" creation house. 


Bombay Velvet (Budget – 120 Crore, Grossed – 31.85 Crore) 

Anurag Kashyap's retro interpretation of vintage Bombay was discharged on the fifteenth May which featured Ranbir Kapoor with Anushka Sharma interestingly. The generation qualities were better than average including the sets which gave a look of Mumbai of the 60's. 'Bombay Velvet' simply didn't have enough start to set the movies ablaze. A noteworthy frustration from the free thinker chief. 


All Is Well (Budget – 33 Crore, Grossed – 37.10 Crore) 

Umesh Shukla's second directorial after the fruitful 'Goodness! My God' had Rishi Kapoor, Abhishek Bachchan and Asin in the number one spot parts. Discharged on the 21st August, the flick was an 'enjoyment on the run' sort parody which was great in spots however didn't make the effect it was required to. 


Hero (Budget – 50 Crore, Grossed – 33.37 Crore) 

Subhash Ghai's clique change of 1983, "Hero" got discharged on eleventh September which presented the pair of Sooraj Pancholi and Athiya Shetty. Co-delivered by Salman Khan, the film neglected to snatch any eye-balls as the gatherings of people liked to return to the Jackie-Meenakshi starrer at the end of the day. 


Katti Batti (Budget – 40 Crore, Grossed – 24.41 Crore) 

Nikhil Advani's interpretation of live-in relationship discharged on the eighteenth September was a moderate starter yet came up short on gas as the group of onlookers didn't discover anything novel in the script. The blending of Imran Khan and Kangana managed to get a couple snickers however wasn't sufficient to rake in the moolah for its makers. 


Imtiaz Ali has a place with the third sort of gathering, who has faith in introducing dreams and dreamlike encounters through genuine and relatable characters. The way Ali inquiries and showcases life complexities through his movies is bright. There is dependably a variable in his stories that you bring back with you and contemplate upon for quite a while.  Conceived and raised in a residential community, Imtiaz Ali experienced childhood in a domain of film darlings. As the chief advanced into school life, he began doing theater. His enthusiasm and abilities conveyed him to Mumbai and the visionary inside him constrained him to make movies that hovered around finding diverse implications of life. As the executive turns 45, we convey to you a rundown of his best works till date:


1. Tamasha 

Another stellar by Ali and Ranbir Kapoor is a year ago's film 'Tamasha'. A film for each one of those "mavericks" who give in their beginning and end to fit into the mold of the general public. "Tamasha" is an account of Ved who really lives in a universe of stories and dreams, however reality hits him hard and constrains him to carry on with a double life. Subtly, the film hit the right harmony among an era which is as yet thinking that its 'own, free' method for living their fantasies without trading off the solace of life. 


2. Highway 

Taking into account discovering one's actual belongingness and deserting the grasp of the general public, "Highway" was the narrative of Veera. A high society young lady having her offer of dull past is captured by a goon who has his offer of individual evil spirits to manage. How these two softened souls discover comfort up each different has been told wonderfully by Ali. Who could deal with the complexities of Stockholm disorder superior to anything Imtiaz Ali! 


3. Rockstar 

A skilled artist tries to discover his motivation and purposely gets his heart broken by a young lady who doesn't have a place with his general public. Keeping in mind the end goal to grasp himself and his ability, he loses himself in the affection for a young lady and consequently transforms into a broken man. "Rockstar" is the account of a radical and has passionate profundity just a broken soul could interface with. 


4. Socha Na Tha 

Imtiaz Ali's first film 'Socha Na Tha' resembled a new breath of air. Managing the idea of masterminded marriage, the film demonstrated the perplexity of adolescents who need to run with their own particular decisions and not settle with the guidelines set by the general public and guardians. Invigorating storyline, astonishing idea and keeping alive the topic of 'do what your heart says', Imtiaz made it a point to get perceived right with his first film. 


5. Love Aaj Kal 

Another out of the case film, 'Love Aaj Kal' managed the idea of separation and proceeding onward. How today's era is not altogether different from their guardian's era was delineated splendidly by Ali. He demonstrated regardless of how 'quick paced' and "unwind" Gen Y gets to be about the idea of affection, even they won't give up when they locate their 'ideal one'. Another film taking into account disarray and finding what truly matters, the idea got to be Imtiaz Ali's specialty after this film. 


It is possible that it's about discovering affection, motivation or oneself, Ali's works have dependably been about the spirit and longs for the hero. During an era when Bollywood is striking a harmony amongst business and workmanship movies, Ali has made his own particular specialty by being a producer of soul. 


It is constantly great to see another pair sentiment on screen. It offers freshness to an oft-trodden class of sentiment. In an industry where performers are being dispatched consistently, Bollywood has choices to match up any attractive stars in different changes and mixes! 

Obviously, there is likewise a probability that not each pair would engage the moviegoers, regardless of how effective every star might be and regardless of the fact that they exclusively have an enormous after. Reprimand it on the absence of science, poor scripting or the absence of potential in the plot for their science to build up, a couple of these sets don't figure out how to awe the viewers.

Shahid Kapoor and Alia Bhatt

Notwithstanding the sponsorship of Anurag Kashyap, Karan Johar and Vikramaditya Motwane and coordinated by Queen popularity Vikas Bahl, Shaandaar neglected to awe either the commentators or the fans! Despite the fact that it had a tall tale sentiment at its center, an attractive pair in Shahid and Alia, the peculiar screenplay was not upto everybody's taste. Shahid and Alia are again combined up in Udta Punjab, so seek they are fortunate after each other the second time around!


Aditya Roy Kapur – Katrina Kaif

The trailer was great, the tunes were brilliant, and Katrina was solid with Aditya, at any rate before the film discharged. However when the film turned out, none of the perspectives that pulled in us to the film could figure out how to rescue the fiasco the motion picture was. Point the finger at it on the normal exhibitions (with the exception of Tabu) and the deadened heading, Fitoor was one of 2016′s calamity! Both Katrina and Aditya need one gigantic hit to rescue their vocations!


Ranveer Singh – Parineeti Chopra

Despite the fact that Parineeti was dispatched in Ranveer Singh's Ladies versus Ricky Bahl (that was a failure also), it was just in Kill Dil that they were combined impractically. What's more, what a debacle it ended up being, almost slowing down Parineeti's vocation! Despite the fact that it was delivered by YRF, who dispatched both the stars, the film neglected to allure the viewers, notwithstanding when Parineeti went the glitz route for the part!


Arjun Kapoor – Sonakshi Sinha

Despite the fact that they were connected with each other when the motion picture was set to discharge, none of their science was noticeable when the film hit the marquee. In spite of the fact that the change of a well known Tamil film, Tevar never figured out how to click with the North indian groups of onlookers, even with Arjun Kapoor calling himself Salman Ka Fan!


Ranbir Kapoor – Anushka Sharma

Bombay Velvet could have been our Casablanca, however what it ended up being was a gorgeous wannabe perfect work of art! Both Anushka and Ranbir looked miscast, and significantly together they couldn't wow the viewers! We should trust they figure out how to redress this in their up and coming film, Ae Dil Hai Mushkil!


Ayushmann Khurrana – Sonam Kapoor

Indeed, even a swimsuit clad Sonam Kapoor, two or three kissing scenes and a brilliant Rishi Kapoor, this Meet The Parents' motivated flick didn't figure out how to meet the desires of the movies. In spite of the fact that Ayushmann and Sonam weren't terrible as a couple, the jodi didn't have enough energy to maneuver the gathering of people into the theater!


Imran Khan – Kangana Ranaut

It's truly terrible that the attractive and humble performer made is rebound through this disgracefully composed sentimental show, loaded with each banality there is. With respect to Kangana Ranaut, would we be able to ever censure her for adhering to movies that emphasis on her?


Mohabbatein Vs Mission Kashmir

The two had a epic clash at the box office. Mohabbatein became the second highest grossing film of the year domestically and the highest grossing film overseas that year and was thus declared a blockbuster where as Mission Kashmir was the third biggest domestic grosser of the year.

Kuch Kuch Hota Hai Vs Bade Miyan Chote Miyan

Kuch Kuch Hota Hai, romantic comedy drama film which was released on 16 October 1998 in Diwali along with ‘Bade Miyan Chote Miyan’. 

Bade Miyan Chote Miyan is a remake of the Hollywood film ‘Bad Boys’ starring Amitabh Bachchan and Govinda in a double role. This movie was the first hit of Amitabh Bachchan at the box office since his comeback after a few years of hiatus from Bollywood. Bade Miyan Chote Miyan was the second highest grosser of the year after Kuch Kuch Hota Hai.

Veer-Zaara Vs Aitraaz

Veer-Zaara, romantic drama directed by Yash Chopra and was released on 12 November 2004 along with ‘Aitraaz’. Aitraaz, romantic thriller film produced by Subhash Ghai.

Both the movies was released on the same date. Veer-Zaara became the top-grossing Bollywood film of the year at both the Indian and the International box office whereas Aitraaz was the eleventh highest grossing film of the year.

Om Shaanti Om Vs Saawariya

Om Shaanti Om’ another romantic film directed by Farah Khan and was released on 9 November 2007 along with Sanjay Leela Bhansali’s ‘Saawariya’.

Om Shaanti Om grossed 1.49 billion worldwide and thus became the highest-grossing Hindi film of all time at the time of its release whereas Saawariya was not that big hit.

Don Vs Jaan-E-Mann

Don, action crime thriller film and the second installment of the Don franchise which was directed by Farhan Akhtar and was released on 20 October 2006 along with Sajid Nadiawala’s ‘Jaan-E-Mann’. 

Jaan-E-Mann, romantic comedy drama film starring Salman Khan, Akshay Kumar and Preity Zinta. ‘Don’ received a mixed critical response, and it grossed over 1.05 billion whereas ‘Jaan-E-Mann’ cost nearly Rs.4 million.

Chennai Express Vs Once Upon a Time in Mumbai Dobaara

Chennai Express, romantic comedy film directed by Rohit Shetty and was released on 8 August 2013 and Ekta Kapoor’s ‘Once Upon a Time in Mumbai Dobaara’ on 15 August 2013. 

This was scheduled one week later to avoid clashing with ‘Chennai Express’. Chennai Express received mixed reviews from critics, it broke several box office records in India and abroad and becoming the quickest film to collect 1 billion net domestically and ‘Once Upon a Time in Mumbai Dobaara’ received mixed to negative reviews and performed poorly at the box office.

Jab Tak Hai Jaan Vs Son of Sardaar

Jab Tak Hai Jaan, romantic drama film directed by Yash Chopra and the movie was released on 13 November 2012 along with ‘Son of Sardaar’. Jab Tak Hai Jaan received positive-to-mixed reviews from critics in India and positive reviews overseas and it opened well at the box office. Jab Tak Hai Jaan emerged as the third-highest-grossing Bollywood film overseas at that time, after 3 Idiots and My Name Is Khan while Son of Sardaar was not big hit as compared to Jab Tak Hai Jaan.


Bollywood is a multi-crore business and the thought behind making movies with monstrous spending plans is to win the venture back through film industry deals. So what happens when these enormous, costly motion pictures flop? There's insufficient whisky on the planet for the executive and makers by then. Bollywood is no less dangerous than a stock trade market. Here are a rundown of Bollywood pictures that were super costly and however couldn't mint any cash in the cinema world.


Saawariya was the presentation film of Ranbir Kapoor and Sonam Kapoor. The motion picture additionally featured Salman Khan and Rani Mukherjee and it was coordinated by Sanjay Leela Bhansali. Sanjay is known not overwhelming films and he is viewed as one of the greatest daring individual in the motion picture business. This specific danger, even with every one of its trappings of progress, didn't pay off. Saawariya was made with a financial plan of 45 crores and the film couldn't gain half of its venture.



Besharam is another Ranbir Kapoor film which was made with a financial plan of around 85 crores. Despite everything we ponder what was so costly in this film? Ranbir wore the most unpleasant garments ever, so plainly, closet didn't get the cash. Anyway, the film floundered as it could just produce 35 crores.



Blue had a financial plan of 129 crores. It featured Sanjay Dutt and Akshay Kumar, who for beyond any doubt charge bombs for movies. The Icing on the top was the melody Chiggy-Wiggy by Kylie Minogue who charged 6.5 crores for her two moment appearance. Be that as it may, the motion picture didn't awe individuals and they left Blue with red. irate countenances.



Kambakkht Ishq made a decent attempt! The motion picture featured Kareena Kapoor Khan and Akshay Kumar furthermore had cameo parts by Hollywood performing artists like Brandon Routh, Denise Richards and considerably Slyvester Stallone. Having Hollywood performing artists mean a major gap in the makers pocket. Kambakkht Ishq was made with around 60 crores yet could just gain half of the contributed cash.



Bombay Velvet was a fantasy venture for Anurag Kashyap. It featured Ranbir Kapoor, Karan Johar and Anushka Sharma. Regardless of how great the cinematography of a film is (and it truly was), if the story isn't incredible, the motion picture will slump. In the wake of being putting in 125 crores, the motion picture could just win 25. Yes! You read that privilege.



Shaandaar looked encouraging when the trailer discharged. Featuring Shahid Kapoor and Alia Bhatt, the motion picture appeared to be a tall tale romantic tale however it didn't coordinate up to the creative energy. The exhausting film made individuals rest off in the theater. Made with 75 crores, the motion picture couldn't win back portion of its speculation.



Kites featuring Hrithik Roshan, Bárbara Mori and Kangana Ranaut had a colossal spending plan of 150 crores. With outside areas and a stunning Mexican performing artist, the Rakesh Roshan film guaranteed a considerable measure. However the drained, dormant story couldn't spare the sinking film and it slumped in the cinematic world, no doubt.