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Javed Akhtar's National & Filmfare Award Winning Songs

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Javed Akhtar needs no introduction when it accompanies scripting Bollywood movies or melodies. The veteran scriptwriter turned lyricist appreciates stowing all the abstract grants in all classes reliably. The remainder of the essayist Mughal's who has produced a portion of the greatest blockbusters scripts of all times with Salim Khan in the 70's and 80's. In the wake of turning lyricist with 'Dekha Ek Khwaab Toh… " for Yash Chopra's exemplary "Silsila" in 1981, he never thought back. From that point forward the scribe has penned various diamonds which have turned into the spirit of numerous pieces that keep on remaining evergreen till date. Throughout the years, he has won the Filmfare Award fourteen times - seven times for Best Script, and seven times for Best Lyrics. He has won the National Award five times for Best Lyrics. The verses of 'Sandese Aate Hain' from 'Fringe', 'Panchchi Nadiya' from "Outcast" and 'Radha Kaise Naa Jale' from "Lagaan" got him the National and additionally Filmfare Award that year. Underneath, we investigate all his National and Filmfare Award Winning Songs. 


Ek Ladki Ko Dekha Toh Aiysa Laga (1942 : A Love Story - 1994) 

This Vidhu Vinod Chopra great ended up being the swan tune of music author R.D. Burman who didn't get by to see the accomplishment of the movies music. This number emerged as Kumar Sanu's vocals kept it freshness in place even following 21 years of its discharge. Javed Akhtar won his first Filmfare Award for best verses for this tune as it portrayed everything that a man feels for a young lady in the wake of experiencing passionate feelings for her. Picturised on Anil Kapoor and Manisha Koirala, the tune was a moment chartbuster even before the arrival of the film. 


Ghar Se Nikalte Hi (Papa Kehte Hain - 1996) 

This number from Mahesh Bhatt's 'Dad Kehte Hain' was a moderate starter which got to be prominent as it climbed the outlines. Sung by Udit Narayan and formed by Rajesh Roshan, this tune penned by Javed Akhtar helped him pack his second Filmfare Award for best verses. The collection had different jewels as well too yet this tune took the cake. The film didn't do well as it had relative newcomers as Jugal Hansraj and Mayuri Kango who played the leads. 


Kya Tumne Hai Keh Diya (Saaz - 1996) 

Javed Akhtar won his first National Award for this collection which had structures by Zakir Hussain, Bhupen Hazarika, Raj Kamal and Yashwant Deo. The film was coordinated by Sai Paranjpe and approximately in light of the account of artist sister's Lata Mangeshkar and Asha Bhonsle. Among the part, 'Kya Tumne Hai Keh Diya' turned out to be exceptionally well known. 


Sandese Aate Hain (Border - 1997) 

This Anu Malik structure brought Javed Akhtar his third Filmfare Award and second National Award. The melody sung by Sonu Nigam and Roop Kumar Rathod portrayed the desolation of an officer who is at the fringe securing his nation and recalling his family. The verses over controlled the length of this 10 minute tune which is an unquestionable requirement hear for each Indian. 


Maati Re Maati Re (God Mother - 1998) 

'Maati Re… " got Javed his third progressive National Award in succession. This melody rendered by Lata Mangeshkar had music by Vishal Bhardwaj which depicts the anguish of a lady's affection for her country. Shabana Azmi played the fundamental hero in this Vinay Shukla directorial. 


Panchchi Nadiya Pawan Ke Jhonke (Refugee - 2000) 

This chartbuster is one of Anu Malik's best creations from JP Dutta's 'Displaced person', which presented Abhishek Bachchan and Kareena Kapoor interestingly on screen. Sung by Sonu Nigam and Alka Yagnik, the verses act out how youthful mates feel when an outskirt isolates them from meeting each other. This number gave Javed a twin-regard by winning the National and the Filmfare Award that year. 


Ghanan-Ghanan and Radha Kaise Naa Jale (Lagaan - 2001) 

The lyricist in Javed was at its top with each number turning gold in the cinema world. His melodies in "Lagaan" are considered points of interest which had splendid music by AR Rahman. 'Radha Kaise Naa Jale' and 'Ghanan-Ghanan' both got him the National Award that year where as the previous brought him the Filmfare Award that year, separately. 


Kal Ho Naa Ho (Kal Ho Naa Ho - 2003) 

Tune doesn't show signs of improvement than this. This title track can without much of a stretch be viewed as one of Sonu Nigam's unsurpassed best melodies. This current film's music collection made by Shankar-Ehsaan-Loy got them the Filmfare Award for best music though Javed won it for best verses and Sonu Nigam for best playback singing, separately. 


Tere Liye (Veer-Zaara - 2004) 

The tunes of 'Veer-Zaara' were structures made by the late music executive Madan Mohan when he was alive. It was following 20 years of his passing endlessly that the tunes were utilized for this Yash Chopra musical romantic tale. Javed saab was the perfect decision to legitimize the tunes in the collection. This melody had the relieving vocals of Lata Mangeshkar and Roop Kumar Rathod. 


Jashn-E-Bahara (Jodhaa Akbar - 2008) 

Javed Ali loaned his voice for this sentimental track from Ashutosh Gowarikar's period adventure 'Jodhaa Akbar'. AR Rahman's tunes were penned by Javed saab and as is commonly said the rest is history. Javed saab went ahead to sack his seventh Filmfare trophy for best verses for this melody and AR Rahman packed away that year's Filmfare trophy for the best music chief for his score in the film. 


posted Jul 25, 2016 by Ramya

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A standout amongst the most innovative and actually splendid chiefs of contemporary Hindi cinema is Sanjay Leela Bhansali. He began his movie vocation by helping Vidhu Vinod Chopra where he got an opportunity to show a look at his visual brightness by picturizing the tune 'Kuch Na Kaho' from '1942: A Love Story' in 1994. He coordinated his first film 'Khamoshi: The Musical' in 1996 which had extraordinary music yet fizzled financially. His next endeavor 'Murmur Dil De Chuke Sanam' was a major achievement and set the tone for greater movies. The melodies in his movies are nothing not as much as excellent. The way he considers and executes them is an occasion without anyone else's input. He investigates each subtleties of it to make it noteworthy and a visual treat. Let’s watch at some of his best picturized songs which have left a lasting impression in the minds of cine-goers.


Pinga (Bajirao Mastani – 2015)

Another deadly blend of Deepika Padukone and Priyanka Chopra who play spouses to Bajirao Mastani, the Maratha warrior played by Ranveer Singh. The tune is luxuriously picturised on a Marathi set where Kashibai respects the warrior ruler Mastani in a fabulous night of move and festivity. Rendered by Shreya Ghoshal and Vaishali Made, it is formed by Sanjay Leela Bhansali and penned by Siddharth Garima. 


Nagada Sang Dhol (Goliyon Ki Rasleela : Ram-Leela - 2013)

'Nagada Sang Dhol' components Gujarat's fabulous celebration festivity in Sanjay Leela Bhansali present day tackle Romeo Juliet highlighting Deepika Padukone and Ranveer Singh in the principle leads. The melody is sung by Shreya Ghoshal and Osman Mir with music by Sanjay Leela Bhansali and verses by Siddharth-Garima. The melody oozes the power of the characters delightfully. 


Udi Teri Aankhon Se (Guzaarish - 2010)

This melody was extraordinary in its own particular style which included Hrithik Roshan, Aishwarya Rai and Aditya Roy Kapur. This song  from "Guzaarish" was effectively one of the best structures of Sanjay Leela Bhansali who turned full-time music chief. The tune is sung by song ruler Sunidhi Chauhan and Shail Hada and penned by Turaz. 


Jab Se Tere Naina (Saawariya – 2007)

'Jab Se Tere Naina' was an imaginative articulation of adoration from the expert skilled worker. With Ranbir Kapoor making his introduction alongside Sonam Kapoor in the film, this melody was stand-out which went ahead to be known as the 'towel dance'. Excellent rendered by Shaan the tune was made by Monty Sharma. 


Maar Dala (Devdas – 2002)

One of the excellent picturized tune in the film sung by the adaptable Kavita Krishnamurthy, 'Maar Dala' highlights Madhuri Dixit and Shahrukh Khan. Madhuri's outfit measured a simple 20 kgs for this melody created by Ismail Darbar. One of the highlights of this film was this "mujra" number which likewise was one of the last picturised mujra tunes of Hindi silver screen. 


Dola Re Dola (Devdas – 2002)

One of the historic point tunes of Indian film which had seen Hindi screens two endless marvels, Madhuri Dixit and Aishwarya Rai having the same edge. 'Dola Re Dola' was a conventional move number choreographed by Saroj Khan which was sung by Kavita Krishnamurthy, Shreya Ghoshal and K.K. Music was by Ismail Darbar and Monty Sharma. "Devdas" was Sanjay Leela Bhansali's interpretation of Sarat Chandra Chatterjee's great novel by the same name. 


Dholi Taro Dhol Baaje (Hum Dil De Chuke Sanam – 1999)

Another stupendous tune picturized on a fantastic scale, 'Dholi Taro' got the extravagant of move sweethearts amid Navratri's. Sung by Vinod Rathod, Kavita Krishnamurthy and Karsan Sagathia, it had music by Ismail Darbar and was picturized on Salman and Aishwarya Rai. 


Nimbooda (Hum Dil De Chuke Sanam – 1999)

One of Sanjay Leela Bhansali's stupendous move number 'Nimbooda' was sung by Kavita Krishnamurthy and Karshan Sargathia and made by Ismail Darbar. Aishwarya Rai was in top structure as Saroj Khan choreographed the melody which brought her that year's Filmfare honor for best choreographer. 


Yeh Dil Sun Raha Hai (Khamoshi : The Musical - 1996)

Rendered by Kavita Krishnamurthy and made by Jatin-Lalit, this tune however not mounted on a stupendous canvas, regardless it went ahead to touch numerous a hearts. Manisha who is recording her first tune gets her folks (who are hard of hearing and quiet) to watch her. The expression between the guardians and little girl is justified regardless of a look as Salman looks on. 


Aaj Main Upar (Khamoshi : The Musical - 1996)

This melody means Manisha's bliss when she gets her first collection recording offer as she is joined by Salman Khan later. Sung by Kavita Krishnamurthy and Kumar Sanu, the melody went ahead to wind up one of the chartbusters of 1996 which was formed by Jatin-Lalit and penned by Majrooh Sultanpuri. The film may have not done well in the cinema world but rather the music is still played and acknowledged

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